Margaret Harrison on


Margaret Harrison’s latest exhibition is an anachronistic experience. Walk into the gallery’s back room and peek at the septuagenarian British feminist artist’s naughty lithographs, displayed in suggestively half-open drawers 강식당2 1회 다운로드. There are two from 1971, the year Harrison’s first-ever gallery exhibition was shut down by the London police—a drawing of a corseted but otherwise nude Hugh Hefner as one of his own bunnies was apparently just too much Download the Tune & Tech program. The lithographs’ preoccupations are braless merry widows, scarlet nipples, and food: An engorged lemon being squeezed by a pinup spurts glistening droplets in Take One Lemon, 1971, while in Good Enough To Eat, 1971, a fleshy bombshell stands in for the meat in a British rail sandwich, her upturned palms submissively curled atop a slice of a hard-boiled egg Clip Studio. »


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Benedikt Terwiel’s work puts stakes down and sets markers in space, as if fixing coordinates could vanquish alienation. Before cameras, land surveyors would carve measurements directly into rocks, trees, or the sides of mountains, using a technique known as metes and bounds Download the hp 8100 driver. By tracing a line to measure its length, they physically experienced its translation into two dimensions. »

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